The Smithsonian Gems – Presented by Dr. Jeffrey E. Post

Jeffrey E Post + Kusam Malhotra

Jeffrey E. Post and Kusam Malhotra DCGIA President

Dr. Jeffrey E. Post, provided a lively discussion on the The National Gem Collection. The history, benefactors, gems and jewelry were all fully described in the presentation as well as in the book:

“The National Gem Collection” by Smithsonian Institution and Jeffrey E. Post

Dr. Post explored the rich, fascinating stories behind some of the famous people, gems, and jewelry that made the National Collection the world’s greatest collection.

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Historic patrons such as:
Harry Winston, who in 1958 presented the Smithsonian with the Hope Diamond. Harry Winston envisioned the institution assembling a gem collection to rival the royal treasuries of Europe — “crown jewels” that would belong to the American public.

Marjorie Merriweather Post, Cora Hubbard Williams,  Janet Annenberg Hooker, Libbie Moody Thompson, Olivia B James, just to name a few.

The Smithsonian Institution was established with funds from the estate of James Smithson (1765-1829), a chemist and mineralogist.

National Museum of Natural History – Janet Annenberg Hooker Hall of Geology, Gems, and Minerals features 2,500 minerals and gems, including the Hope Diamond, Hooker Emerald Brooch, and Star of Asia sapphire.

The Harry Winston Gallery houses the Hope Diamond.

The National Gem Collection features:

  • the Dom Pedro aquamarine, the world’s largest faceted aquamarine, cut into an obelisk standing 13.75 inches tall and weighing 10,363 carats (4.6 pounds) donated by Jane Mitchell and Jeffery Bland
  • the Cindy Chao Black Label Masterpiece Royal Butterfly Brooch (2009), composed of 2,328 gems, including sapphires, diamonds, rubies, and tsavorite (green) garnets, for a total weight of 77 carats; many of the gems fluoresce under ultraviolet light (to be added March 6, 2013)
  • 17.08 carat, color-changing Whitney Alexandrite from Coralyn Wright Whitney
  • the Marie Antoinette diamond earrings from Mrs Eleanor Barzin
  • a 263-carat diamond necklace and a diadem (tiara) given by Napoleon to Empress Marie-Louise from Marjorie Merriweather Post
  • the Janet Annenberg Hooker fancy yellow diamonds
  • 2 topaz crystals from Brazil, weighing 111 and 70 pounds respectively, and a 23,000-carat cut-and-polished topaz
  • a 423-carat sapphire set in diamonds from Mrs. John A Logan
  • the DeYoung red and pink diamonds from Sydney DeYoung
  • the 127-carat Portuguese diamond, the largest cut diamond in the collection from Harry Winston
  • the Rosser Reeves ruby
  • the Carmen Lucia Ruby, weighing 23.1-carats, is one of the largest faceted Burmese rubies known to exist. The stone is set in platinum and flanked by 2 triangular colorless diamonds measuring 1.1 and 1.27 carats. Donated by Dr. Peter Buck in memory of his loving wife, Carmen Lucia

The Minerals and Gems Gallery features some 2,000 specimens grouped by shape, color, growth, and other characteristics. The Smithsonian’s gem and mineral collection, is one of the largest of its kind in the world, with 10,000 gems and 375,000 mineral specimens, . The collection is for exhibitions and scientific research.

The Mine Gallery features a re-creation of 4 mines showing crystal pockets and ore veins in created dioramas.

There is always a full house when Jeffrey E. Post speaks, DCGIA thanks Dr. Post for shring the night with us.

Jeffrey E Post + DCGIA

Jeffrey E Post + 2

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GIA Updates

Kate Donovan and Tony Conway

Kate Donovan + Tony Conway 1st VP of the DCGIA Alumni 

On Sept. 19, 2017, Kate Donovan, GIA Global Alumni Relations Manager, provided an update on GIA global initiatives, education, laboratory offerings, research, resources and instruments. Kate reviewed GIA’s current alumni benefits and the many programs available to support our efforts.

GIA provides a broad spectrum of education and support materials to students, graduates, the industry and the public.

Driven by the GIA mission since 1931:

  • To ensure the public trust in gems and jewelry
  • To uphold the highest standards of integrity, academics, science and professionalism
  • Through education, laboratory services, instrument development and research

GIA Square

GIA makes resources available to everyone through the GIA Website. Archives of news, articles and the Gem + Gemology Magazine as well as many books and manuscripts which are copy right free.

Gem Encyclopedia – Get the facts on every gemstone.

Analysis + Grading – GIA is the most trusted name in diamond grading and gem identification. GIA provides integrity and accuracy in every report it issues. GIA tests every material to determine whether it is natural or not, and discloses any treatments discovered during their examination.

GIA Education – Whether starting a new career or taking the next step in your professional journey,  GIA education provides on-campus, distance learning as well as professional development in gemstones and jewelry.

Research + News – GIA is on the cutting edge of gemological research, analyzing data on gemstones and investigating gemstone characteristics. GIA is the place to learn about new gemstones, mine sources and new treatment processes, as well as, synthetic lab-grown materials which enter the market each year.

GemKids – GIA promotes the industry to both young and old alike.

DCGIA Members Thank Kate for sharing her passion for GIA and the GIA Alumni with us!

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Beware of Scams!

DCGIA meetings are open to the public and someones presence does not mean the individual is a GG or member of the chapter.
 
DCGIA is dismayed to hear about an issue in which a Paraiba Tourmaline was purchased last year from someone attending a meeting. When it was sent to GIA for a certificate, it turned out to be apatite.
 
DCGIA is more than happy to provide references for any of our registered members, as well as, let you know if we have no information on others who might attend and solicit business at or after the meetings.
 
Know who you are dealing with, DCGIA highly recommends you verify membership in trade organizations that help keep the industry ethical. Honest gemstone dealers often have affiliations with the BBB, AGS, AGTA, and other organizations, which we highly recommend. Additionally, education for many of are members is on-going with GIA, NAJA, ASA, and others.

Diamond Simulants

 
Always have your purchase verified by an independent jewelry appraiser, to ensure you received what was described to you. Too many synthetics and look-a-likes are out there being peddled. Price is often a great indicator, if it is a deal of the century, it is likely not a deal at all. Buyer Beware!
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The Latest on Synthetic Diamonds | Dr. James Shigley | GIA at JCK

DCGIA thanks GIA for sharing these very informative videos!

Video #1 – Dr. Smith shares what he has learned from exceptional diamonds, such as the Cullinan and Koh-I-Noor, that formed beneath the surface of the Earth. Smith, the researcher who made the discovery, published a breakthrough article in the December 2016 issue of Science magazine.

Video #2 – Learn more about the latest developments in HPHT and CVD synthetic diamonds, the status of gem-quality synthetic diamonds in the market and the methods used by GIA to detect them.

Video #3 – Learn about the state of the Colombian emerald industry from the perspective lens of a field gemologist, as he tours Colombia’s major emerald mines and visits dealers and cutters in Bogotá.

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Museum Field Trip at Hillwood Museum

DCGIA at HillwoodThirty six (36) DCGIA members and guests enjoyed a tour of the “Spectacular Gems and Jewelry” which was Marjorie Merriweather Post’s jewel collection on display at Hillwood Museum in DC.

The tour featured an introduction to the collection by Angie Dodson, Director of Learning, then access to look at the collection on our own. We congregated at the cafe afterwards for lunch and members then returned to see the collection again and a visit to the main house to see the collection of art, furniture and other collections.

We highly recommend the Hillwood Museum as a must see attraction for everyone visiting the DC area!

We thank Tim Morgan (DCGIA Treasurer) and the Hillwood Staff for coordinating this tour opportunity for us.

Summary By: Charles Marts

Photos By: Melanie Marts & Dio Brush

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In Memory of Lisa Carp

LisaCarpDCGIA is sad to have lost a long time and cherished member; Lisa Carp.  Lisa died on Saturday, April 15.  Lisa taught and shared her mineral and gem knowledge with DCGIA members as well as countless students who attended her gemology classes.

A memorial service will be held at the Riderwood Chapel, 3110 Gracefield Road, Silver Spring, MD on Thursday, April 27, 1-2:00 pm.  Light refreshments will follow.

The family will be sitting Shiva at 7:30 on Thursday, Saturday and Sunday evenings, April 27, 29 and 30 at the home of Lois and Bryan Geer, 616 Manorbrook Drive, Silver Spring, MD.  Interment will be at Arlington National Cemetery at a later date.

Memorials can be made to the Animal Welfare League of Montgomery County, 12 Park Avenue, Gaithersburg, MD 20877 or the Mary Ann Morris Animal Society, PO Box 1151 Bamberg, SC 29003

In Loving Memory, a loyal DCGIA member and a great friend to us all!  She will be missed but not forgotten.  Rest in Peace.

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Pearls, Questions and Answers by Teresa Tkacik, M.S.N., F.N.P.C.

teresa1Teresa provided a very informative history of pearls, how pearls are cultured, the characteristic of pearls, and Faux pearls, which included a hands on demonstration of how to evaluate pearls.

Presentation copy

Recommended reading: Tears of the Moon by Robert Verspui

Pearls are the oldest organic gem used by man, dating back to 2,300 BC in China where documentation describes pearls and their use.  Royalty coveted pearls, in China pearls were set aside for the exclusive use of Royal family.

American Royalty, Elizabeth Taylor loved her jewelry, especially pearls!  One of her favorites was La Peregrina Pearl, a 50.6-carat pearl, one of the largest natural pearls in the world, measuring approximately 0.7 inch by 1 inch in size.
la-peregrina-pearlKing Philip II of Spain gave the pearl to Queen Mary I of England before their marriage in 1554, but after her death in 1558, the King proposed to his dead queen’s younger half-sister, Elizabeth I who wanted the pearl, but refused to marry King Philip II, so he took back La Peregrina Pearl.  The pearl was worn by Spanish royalty until the 19th century, when Napoleon Bonaparte invaded and seized the Spanish crown, and the pearl.

La Peregrina Pearl was passed down to members of the Bonaparte family, but was ultimately sold to Lord James Hamilton in 1873.  It was then sold at a Sotheby’s auction for $37,000 in 1969 to Richard Burton, who gave it to his wife, Elizabeth Taylor, as a Valentine’s Day present.  After Taylor’s death in 2011, La Peregrina Pearl was bought for 11.8 million by an anonymous buyer at a Christie’s auction. So you can see what value this pearl holds, even today.

OysterTwo basic types of pearls are SEA and FRESHWATER, the names define the place of origin.
Bivalve oysters and mussels are both capable of producing pearls. Univalve Mussels may also produce pearls.

Pearls are made of Calcium carbonate and Concholin. Concholin is water mixed with minerals that act as a binder.  The pearl is formed not by sand (a myth), as it has a sophisticated filtration system, but when invaded by an intruder or the mantel is injured. First line of protection is the secretion of Concholin and then Calcuim carbonate.  It is the brick work layers of polygons (Calcium carbonate and Concholin) that allow for the prism effect of deflecting and reflecting light that gives the pearl an ability to reveal colors.

A pearl is created when a foreign object enters the oyster and or mussel and becomes lodged between the shell and inner lining or mantle.  This invader could also pick up a piece of the mantle tissue as it passes deeper inside the shell. It’s this mantle tissue
that secretes nacre around the irritant, laying down nacre in concentric layers. The shape and size of pearls, both natural and cultured, depends upon the shape and size of the nucleus used.

How to tell Real Pearls from Faux Pearls?

  1. Rub the pearl across your front tooth, it should feel gritty, not smooth.
  2. Rub two pearls of a strand together, once again they should feel gritty, not smooth.
  3. Evaluate the drill hole.  The pearl’s drilled hole is a smooth cross cut, while the faux bead will have a punched out appearance.
  4. Cultured pearls are not perfect in appearance.  Faux beads are perfectly round and smooth without defects.
  5. Over time paint chips may be noted as faux beads age.
  6. Weight of cultured pearls is heavier than faux beads.

How are Faux Pearls Made?

Anything that has value will be imitated! China was early on the scene in the first century!
Wang Chhung wrote this in a book called, Lun Heng, in the year A.D. 83: “By following the proper timing (i.e. when to begin heating and how long to go on) pearls can be made from
chemicals, just as brilliant as genuine ones.  This is the climax of Taoist learning and a triumph of their skill.”

In the 16th century Venetians learned to create iridescent glass, they blew bubbles of this glass and filled them with wax to create false pearls.

The “Pearlessence” came from a French Parisian rosary maker named, Jacquin, developing a substance called “essence d’orient or pearlessence. He realized that when fish scales were in water, they gave off a “pearly substance” which floated on the water’s surface. By mixing this iridescence with varnish, he created essence d’orient which he would eventually use to coat the insides of glass beads and fill them with wax.

Manufactured Majorica Pearls, lovely and large imitation pearls (considered the world’s finest faux pearls). Majorica pearls from Spain, started in 1890 by a German immigrant
Eduardo Hugo Heusch, made with proprietary formulas that are closely guarded secrets. Majorica or Mallorca pearls are a carefully designed nuclei dipped in high quality essence d’orient and polished between dippings.  A special final coating is applied and to prevent deterioration, the Majorica pearls are put under ultraviolet radiation. 2.5 million impeccable strands of faux pearls enter the market each year, including no doubt, 20 mm faux pearls, fake black pearls and faux graduated pearls.

Faux pearls are supposed to be clearly identified as fake pearls, but as we all know, not everyone follows the guidelines, so enjoy those fake pearls, just don’t be tricked into thinking they are real cultured or genuine natural pearls.

Don’t be tricked into buying simulated pearls.
Here are just some of the misnomers, names or words that may be used to mislead the unwary  consumer into thinking that they are buying genuine cultured or real natural pearls.

Atlas pearls: Imitation; satinspar type gypsum beads.
Cave pearls: Imitation, water-polished objects of calcium carbonate from limestone caves.
Kultured pearls: Imitation
Laguna pearls: Imitation
La Tausca pearls: Imitation
Majorica (Mallorca) pearls: Imitation
Nautilus mabe pearls: Cut and polished shell from the chamber of the nautilus mollusk
Red Sea pearls: Coral beads
River strands: Imitation pearls with mother-of-pearl core
Shell mabe: Cut and polished shell from the chamber of the nautilus mollusk
South ocean pearls: Imitation pearls with mother-of-pearl core
Semi-cultured pearls: Imitations made from cultured pearls with very poor nacre coating, over which pearlessence has been added.

Five basic characteristics of pearls are: Luster–Shape–Size–Color–Surface

LUSTER – is the most important of the five characteristics, probably because it’s the quality that’s most visible from a distance as the beauty catches your eye.  It also shows the quality and depth of nacre.  The deeper the layers, the higher the luster.  When picking out pearls look at them with your back to the light.  A fine pearl will reflect your image like a mirror.

SHAPE – round, symmetrical, baroque, other.

  • ROUND is the most favored and valuable.  Before cultured pearls were available, it could take years to make a matching necklace.  Today, with more available, matching necklaces are easier to make.
  • SYMMETRICAL Potato pearls are symmetrical, not baroque.
  • BAROQUE – Natural pearls have no nucleus.  Therefore they are most often baroque.
    Baroque is noted when there is no straight line of the axis.  Baroque is a term people use freely if a pearl is not round.
  • OTHER – infinite number of shape names given to odd shaped pearls.  Shapes vary from near round to highly irregular.  They can be equally as lovely as round and when they have a high luster, just as stunning. RICE pearls look like rice crispies and are usually used in quantity on twisted strands.  Remember that the shape of the nucleus inserted will determine the shape of the pearl.

SIZE – is measured in millimeters, the larger the higher the price, but not always, depending on nucleus size and nacre thickness.  7mm-7 1/2 mm are the most common size, 9mm to 13mm or larger are possible.

COLOR – while white with a pink overtone was originally most common and wanted, colors can be peach, black (which may be dyed), lavender, gold, silver or pink.

SURFACE – can be perfect or near perfect, contain small “pits,” or have rings around them. Most, even high quality pearls, have some imperfections.  The minor imperfections of a pearl do not detract from their beauty unless severe.

Evaluating Cultured Pearls

  1. Luster.  Which is the reflective quality of pearls. Luster is the most important pearl quality, as it is an indicator of nacre thickness, since the thicker the nacre the better the luster.  Luster produces a mirror-like quality in the pearl.
  2. Surface.  Almost all pearls have some surface imperfections, but if you can’t see the imperfections when looking at the pearls from a distance of two feet, they probably won’t be noticed by anyone else.  Therefore the slight flaws will not detract from your jewelry’s beauty.  Only you will know they are there and you do not have to tell!
  3. Shape.  Naturally, a perfect sphere is the most sought after shape, although there is a growing interest in baroque or misshapen pearls which make for very interesting jewelry designs.
  4. Color.  Cultured pearls come in a wide range of natural shades. Choose the color that you enjoy wearing, because they are all lovely.
  5. Size.  Pearl size is measured in millimeters, so familiarize yourself with the decimal system if you want to visualize the size of pearls mentioned somewhere.  After a little practice, one can easily imagine the size when you hear the diameter of a pearls in millimeters, but never rely on guessing, have the salesperson measure them for you if you want to know the exact size of pearls.  Price is often set by size as more nacre layers produce a larger size.  But remember the nucleus used to start the pearl may be 10mm of the 11mm pearl being sold.
  6. Matching Pearls.  A well matched necklace makes a statement and should be insisted upon when purchasing.  Ideally, all the five above qualities should match closely.

DCGIA thanks Teresa Tkacik for sharing her knowledge and experience of pearls with us.

T2

Tony + Becky

 

Summary by Charles Marts
Pictures Charles Marts and provided by Teresa Tkacik

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DCGIA 2017 Tucson Report

dcgia-tucson-report-speakers

Mike Gibson, Courtland Lee, Thomas Trozzo, Robbie Bradbury & Charles Marts

Thanks go out to all the speakers, members and guests who made this evening enjoyable and informative.

courtland-lee

Courtland Lee answering questions

Courtland Lee, DCGIA’s resident Geologist and Miner, was a vendor at the 2017 Tucson International Gem Show.  Courtland discussed the wonderful array of mineral specimens available as well as the full size Woolly Mammoth and Woolly Rhino displays present at the entrance of the convention hall. A number of items, beads and Mineral Specimens made from the Maryland State Gemstone, the Patuxent River Stone as well as petrified dinosaur teeth were available for viewing.

Thomas Trozzo, DCGIA’s favorite Gem Cutter was a vendor at the 2017 AGTA GemFair™ Tucson. Tom discussed the great amount and variety of gemstones and material available at the show as well as mentioning that attendance appeared to be down, but active buyers were there. Blue gemstones were to be seen everywhere as the #1 color choice by consumers.

Robbie Bradbury a jewelry appraiser (Yantz Bradbury Associates) discussed the great networking and learning opportunity that Tucson provided as the American Gem Trade Association, the National Association of Jewelry Appraisers and GIA conduct workshops, lectures and certification opportunities during the Tucson show period.

Mike Gibson provided technical details and answered questions from the audience during and after the meeting, to round out the presentations.

Kusam Malhotra owner of K & K International in Vienna, VA. was a vendor at the 2017 AGTA GemFair™ Tucson. K&K International has been a premier source of rare colored gemstones, fine diamonds and custom-designed jewelry for over 30 years.

Kusam came down with the Tucson Flu which was going around, so Charles Marts channeled Kusam to present her slide show and wholesale price update.  Tucson is an exciting, suspenseful and nerve racking experience as everyone is looking for what is new and exciting. Buyers have a short attention span so vendors need to have something exciting out and ready to show them.
dcgia-yellow-sapphire

With the Muzo Columbian Mine back in production, emerald has once again returned to the #3 most sought after gemstone by designers and buyers. Sapphire is #1 as the top seller followed by #2 Ruby! Blue is the best selling color!

dcgia-emerald
The bench mark for Emerald quality has always been the Colombian Emerald. With intense color, these emeralds are a bright green with an internal fire. In comparison to Zambian emeralds, which are darker bluish-green, have less brilliance, but make a less expensive alternative to the Colombian emerald. Emeralds contain inclusions that are visible to the unaided eye, which vendors and consumers must understand and accept. Eye-clean emeralds are especially valuable because they’re so rare.

View Kusam’s complete 2017 Tucson Report 

50-50-raffle-ticketsNo meeting is complete without a 50/50 Raffle and Door Prizes!

Congratulations to Joyce who won $45 in our 50-50 Raffle drawing!

charles-marts-joyce-jayson

 

 

 

As, well as our Door Prize Winners!

charles-marts-gerry-cox

charles-marts

 

 

 

 

Summary By Charles Marts

Photos By Melanie Marts

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The Art of Gem Cutting by Thomas Trozzo

picthomas-trozzoTom Trozzo provided the DCGIA members with insight into his process of cutting and faceting his award winning gemstones.  Although he still has German cobbling hammers with carbide tips, he no longer uses them for faceting.  Now a days he uses a Diamond Jem grinding unit, Diamond cutting wheels and diamond sanding belts.

Some of Tom’s equipment along with pictures are shown below:

A Diamond Jem by Raytech Grinding unit. 6 inch diamond wheels, working chrysoprase into a cabochon.
picgrindingChrysoprase, chrysophrase or chrysoprasus is a gemstone variety of chalcedony ( cryptocrystalline form of silica) which contains small quantities of nickel. Its color is normally apple-green, but can range to deep green.

picsawCitrine’s attractive color, durability and affordability as a variety of quartz, makes it a top selling yellow-to-orange colored gemstone. Citrine’s most popular shade is an earthy, deep, brownish or reddish orange.

Here Tom is blocking out and sawing citrine rough into a future award winning design pattern, we are sure.

picfaceting

Raytech-Shaw faceting machine with 6” cutting surface

picfacetronFacetron unit with an 8 inch cutting surface, the dop stick with gemstone rough is locked into Facetron jig.  The angle of the universal jig allows for positioning and shaping of the facets of the gemstone.  It is a manual process taking extreme patience and attention to detail by the gem cutter.

There was a variety of other special purpose pieces of equipment used by Tom as well, for accomplishing the finished product.

Tom also discussed gemstone treatments and how they affect a cutters ability to work with the treated gemstone materials.

Heat Treatment of gemstones, is usually stable, each gem material is different, so each heat process will also be different depending on the gemstone.

picheatHeat treatment is not an issue when cutting the untreated rough, as the heat treatment can then be applied after the initial faceting and after polishing.

picheatedtourmaline

Radiation Treatment is usually stable, again depending on the gem material, type of treatment and amount of time in the treatment process.  Radiation is usually done by gamma, linac (linear accelerator) or nuclear processes. Radiation treatment is not an issue during cutting but over time fading of some gem materials can occur.

Oils and Resin Filled Gemstones. Oil and resins filled gemstones can be problematic during and after cutting the gemstones.  Since the cutting blades and polishing wheels are impregnated with diamond powder, the powder can get into the fractures, causing darkening of the area where the oil or resin has been displaced.  The use of cleaning solvents will also pull oils and resins out of treated fractures causing the quality treatment to be lost.

picemerald1

picemerald2As shown with this Colombian Emerald, where the Oil treatment was removed from the gemstone, prior to re-faceting and the gemstone was re-treated with paraffin to improve the visual quality of the emerald.

Diffusion Treatments are typically a surface treatment, with only the first few millimeters of the gemstone taking in the color. This presents a great problem should the stone ever need to be recut or scratches removed.  Tom has heard of deep diffused treatments that penetrate color throughout the stone, but as of yet, has not worked on any gemstones so treated.  Dyed stones can of course be problematic when cutting, polishing and cleaning later on…

Working with designs in gemstones, the gem material, shape and balance of the rough, often determines the final design of the gemstone.
picdesigns

Tom also shared photos with the DCGIA members, of his many AGTA Cutting Edge Competition winning gemstones and his other industry award winners.

DCGIA Thanks Tom Trozzo for sharing a wealth of information and his award winning gemstones with our members and guests.

Summary Charles Marts

Photos provided by Thomas Trozzo

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Gem, Lapidary and Mineral Society of Washington, DC. Auction

Sunday, October 30  http://www.glmsdc.org/

Preview & Artist’s Sale – Noon to 2 pm  –  LIVE Auction – 2 to 5 pm

Auction Site:  Bethesda Woman’s Club, 5500 Sonoma Road,  Bethesda, MD 20817

Free parking at rear of building and on side streets.

gemsociety

glmsdc

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